Visual Artist. At the beginning of her career, she focused her work on innovating folk art, artisanal design, and skull imagery (1984–88). The Taller de Gráfica Popular (TGP) was her starting point, while restoration became her main training (1989–2018), a practice she continues to this day. Her most notable restoration projects include the murals of Orozco, Rivera, and Fernando Leal at the Antiguo Colegio de San Ildefonso; the Sanctuary of Atotonilco in San Miguel de Allende; works by Villalpando at the Museo del Virreinato; and the mural by Diego de Perlasca and Olguín in Montevideo, Uruguay, specializing in Color Reintegration.